![]() ![]() By the end of the book, Alison’s relationship toward death in Fun Home seems to be two-fold: though Alison is more cognizant of (and therefore desensitized to) the realities of death in a general sense because of the family-run “fun home,” when a death occurs close to her, it is even more difficult to process than usual because she is so used to treating death casually that she represses her initial feelings of grief and only lets them out after a long time has passed (and perhaps she is even still dealing with them while writing and drawing this memoir). ![]() Alison and her siblings goof around in and even sleep over at the funeral home, causing them to have a far more casual and cavalier attitude toward death than most children. ![]() The book is, literally, a “tragicomic.” On a deeper level, it evokes the way that the memoir treats death as both tragically life-alternating and as comedic, in the sense that even terrible events can come to seem absurdly and ridiculously humorous.īruce’s premature death, and likely suicide, hangs heavily over the book’s narrative, while the phrase “Fun Home” is the Bechdel children’s not-entirely-ironic nickname for the family-run funeral home that Bruce inherits from his father. First, it captures the fact that the story of Bruce in the memoir is a tragedy told in the format of a graphic novel – a comic. The subtitle of Fun Home – “A Family Tragicomic” – captures a number of aspects of the book. ![]()
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